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History
Charles (Chuck) Abrams has been involved
in photography as an avocation since his pre-teenage years. Professionally,
after graduating with a Master's Degree from Northwestern University,
he worked in the advertising agency business and as a consultant
for over thirty years. During those years, photography was always
a hobby... a hobby that built slowly, but steadily into refined
skills. A few years ago, he redirected his career to pursue his
passion for creating unusual and distinctive photographs.
Describing
his work, Chuck says, "I try to capture the essence of my subjects
in terms of intense color, composition, lighting, pattern, shape,
form, or texture. When shooting subjects like classic automobiles,
I don't just shoot the whole vehicle. Instead, I like to get in
close to create the strong sense of color and design that often
goes unnoticed. In addition, I look for reflections off the metal
or chrome surfaces to further enhance interest. While there is always
a story behind each photo, I leave the interpretation of that story
up to the viewer's imagination."
Questions and Answers
People often ask what kind of camera
I use or what kind of film or have you gone digital. I tell them
that those are not always the most important things. What is important
is how you "see" what you want to photograph, how you
envision the subject in your mind's eye, how you intend to capture
a unique perspective and then translate that to the actual photograph.
All photographs are moments in time, fractions of a second that
last a lifetime. Whether shooting a fast moving subject or the still
delicateness of a lily, both only exist for that moment in the final
photograph.
Ok, so question 1: What camera do I
use, film or digital, etc.?
I
have always shot with Nikon cameras/lenses from my original Nikon
FTN, to an N90 to an F100 and currently an F5. (Wait, my first camera
was an old Kodak Duoflex that used 620 roll film if memory serves
me right. And when I first started shooting in 35mm, I began with
a Pentax SLR . . .which was all I could afford at the time).
All of these cameras are film cameras. The films I use most frequently
are Kodak Ektachrome 100VS, Fujichrome Provia 100F and Fujichrome
Velvia 100 depending on the subject.
Question 2: So what about a digital
camera?
In
2005, I purchased Nikon D70 digital camera . It is a 6 megapixel
camera and takes great photos. It offers invaluable advantages when
I shoot custom collages because it allows me to take many shots
with subtle differences (angle, shading, lighting) and see the results
instantly . In addition, the digital photos for collages
allow me to work much faster for creating custom collages which
means faster service for my clients.
To
kick off 2006, I recently purchased the new Nikon D200 digital camera.
It is a 10 megapixel camera and takes even better photos that the
Nikon D70. It will replace the D70 as my camera of choice
for creating all the custom collages. If you haven't read
about this outstanding Nikon camera, here is a great place to check
it out:
http://www.kenrockwell.com/nikon/d200.htm
Question 3: What kind of lenses do you use?
I
have been using zoom lenses for many years and practically all of
my photos have been shot with them. There was a time when fixed
focal length lenses provided superior quality images. But in recent
years, zoom lenses have become virtually as good in quality and
in some instances actually surpass them. In addition the versatility
of zoom lenses just can't be matched. My most recent zoom
is the new Nikon 18-200 mm AF-S VR zoom designed specific for use
with Nikon's digital SLR cameras. It is a fantastic lens and
virtually all I need for creating my custom collages and any single
images.
Question 4: What kind of prints do
you make?
The
digital revolution is certainly upon us and is rapidly catching
up to the quality of detail that's necessary for very large prints
(20" x 30" or larger). All my large size prints
are made at a professional photo lab here in Los Angeles and the
results are stunning.
I do take advantage of the digital opportunities
by scanning slides at a very high resolution and then using the
scans to make high resolution digital prints. This allows me to
have complete control over the quality/color of the prints up to
a certain size. The sharpness, detail and tonality range of these
prints are far superior to that of standard custom enlargements.
I am often amazed at the results!
Question 5: What are you favorite subjects
to photograph?
During my
career, I have photographed many subjects in such categories as
Nature, Travel, Portraiture, Motorcycles and Classic Cars . But
I have to admit that I have the most fun shooting Classic Cars and
creating custom collages. And those are the photos that my
clients like best of all. There is something very nostalgic about
being able to see just a small portion of a car from the 30's, 40's,
50's or 60's and identifying that car immediately. Most people have
many fond memories of their youth attached to one or more of those
cars . . . and seeing them brings back all those good time memories!
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Artist
Commissions
The Soffer
Foundation - San Francisco, CA
The Mosaic Foundation - Denver, CO
The Abt Collection - Chicago, IL
Kaiser Hospital - Riverside, CA
The Schwab Collection - Scottsdale, AZ
Harris and Associates - Los Angeles, CA
Marcovici Design Group - Los Angeles, CA
Abart
Properties Corporation - Scottsdale. AZ
The Haberer Collection - Scottsdale, AZ
The
DeBusk Collection - Palm Springs, CA
The
Turner Collection - Laguna Niguel, CA
The
SInger Dental Group - Valencia, CA
The
Silverman Collection - Chatsworth, CA
Zafarias
& Partners - Encino, CA
The
Bolton Collection - Laguna Niguel, CA
The
Rudnick Collection - Los Angeles, CA
The
Giglio Collection - New Lenox, IL
The
Vivano Collection - Joliet, IL
Emergency
Services Restoration, Inc. - Redondo Beach, CA
Virginia
L. Landry Law Offices - Irvine, CA
The
Bienstock Collection - Santa Monica, CA
The
Carter Collection - Redondo Beach, CA
The
Van Dusen Collection - Livermore, CA
The
Freethy Collection - Lafayette, CA
Neurology
Pediactric Neurology, Inc. - :Los Angeles, CA
RE/EX
California - Palm Springs, CA
The
Horioka Collection - Newport Beach, CA
The
Joe Souza & Wilma Miller Collection - Newhall, CA
The
Larner Collection - Northridge, CA
The
Assayag Collection - Newport Beach, CA
The
Maiers Collection - Redondo Beach, CA
The
Paper Company - Irvine, CA
The
Dahl Collection - Torrance, CA
The
Maslak Collection - Chula Vista, CA
The
Folsom Collection - La Mesa, CA
Peggy
Collins Law Offices - Torrance, CA
The
Walker Collection - Macon, IL
The
Rheaume Collection - Westlake Village, CA
The
Wi-Fi TV.com Collection - Newport Beach, CA
The
Joe De Loreto Racing Collection - Huntington Beach, CA
Orr
Builders Collection - Palm Desert, CA
The
Raike Collection - Atascadero, CA
The
Mike Caviness Collection - Scottsdale, AZ
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